Saturday, April 19, 2025

B Praak Stands Up for Indian Culture, Cancels Podcast with Ranveer Allahbadia

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At a time when social media is flooded with content that prioritises shock value over substance, singer B Praak has taken a powerful stand for Indian cultural values. The Teri Mitti singer canceled his scheduled podcast appearance with Ranveer Allahbadia, better known as BeerBiceps, following the latter’s disgraceful remarks on India’s Got Latent, a show hosted by comedian Samay Raina.

B Praak took to Instagram, openly condemning Allahbadia’s remarks. “We were going to shoot the podcast with BeerBicepsGuy but we cancelled that because of his pathetic remarks on Samay Raina’s show. This is not our Indian culture. What kind of story are you telling about your parents?” he stated.

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A Sickening Display of ‘Comedy’

The controversy erupted after a clip from India’s Got Latent went viral, showing Allahbadia asking a contestant, “Would you rather watch your parents have sex every day for the rest of your life or join in once to make it stop forever?” The repulsive remark, which stunned audiences, quickly sparked outrage on social media.

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Despite Allahbadia issuing an apology and removing the clip, the incident exposed a disturbing trend. Content creators are pushing the limits of decency under the pretext of humor.

This is not comedy. It is not entertainment. It is filth disguised as ‘cool’ internet culture.

B Praak Calls Out Hypocrisy

B Praak did not stop at criticizing Allahbadia. He also called out the Sikh jury member on the show, questioning whether it was appropriate for a Sikh to be part of a platform that normalizes obscenity and disrespect in the name of entertainment. His remarks highlight a growing concern—why are cultural and religious figures endorsing such degeneracy instead of rejecting it outright?

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Entertainment or Cultural Corruption?

B Praak’s actions have ignited an important debate. Where should the line be drawn? Today, viral content is often prioritized over values. Cheap laughs take precedence over dignity. But when a country with a rich cultural heritage starts normalizing crass humor that degrades family, relationships and traditions, it is a dangerous slope.

B Praak’s decision to distance himself from this toxic ecosystem is a wake-up call. It proves that true artists have a responsibility. They do not just entertain, but uphold cultural integrity. In an industry where many remain silent, fearing backlash, his firm stand sends a strong message:

Indian culture is not for sale, and it certainly isn’t up for mockery.

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